000			02349nam a22001457a 4500
008			240520b |||||||| |||| 00| 0 eng d
020			_a978-1-85472-447-2
082			_223 _a781.2 _bTAY
100			_aTaylor Eric
245			_aThe AB Guide to Music Theory Part II _cEric Taylor _hEnglish
260			_aEngland _bHalson & Co.Ltd _c1991
300			_av,252 p. ; _bsoft bound _c15.5x23 cm
505			_aChapter 14: Voices 14/1 Singers and choirs page 105 14/2 Voices in score 106 Chapter 15: Non-harmony notes 15/1 Passing notes 110 15/2 Auxiliary notes 113 15/3 Anticipations 114 15/4 Changing notes 114 15/5 Appoggiaturas 117 15/6 Suspensions 120 15/7 Pedal points 124 Chapter 16: More about tonal harmony 16/1 Counterpoint 126 16/2 Part-writing 129 16/3 Harmonic rhythm 132 16/4 Second-inversion chords 133 16/5 Extensions of the triad (7ths, 9ths etc.) 136 16/6 Modulation 140 Chapter 17: Chromatic chords 17/1 Borrowed chords 145 17/2 Altered chords 149 17/3 The Neapolitan sixth 153 17/4 The diminished seventh 155 17/5 The augmented sixth 160 17/6 Harmonic sequences 165 Chapter 18: Aspects of melody 18/1 Some definitions 171 18/2 Note relationships 172 18/3 Melodic sequences 174 18/4 Regular phrases 175 18/5 Design in melodies 179 18/6 Irregular phrases 183 18/7 Motifs 187 18/8 The bass line 190 18/9 Outlined melody 194 vi Chapter 19: String instruments 19/1 Orchestral strings 19/2 Bowing 19/3 Multiple stops 19/4 Harmonics 19/5 Vibrato 19/6 The guitar 19/7 The harp Chapter 20: Woodwind and Brass instruments 20/1 Woodwind: flue instruments 20/2 Transposing instruments 20/3 Woodwind: reeds 20/4 Brass 20/5 Mutes in wind instruments 20/6 Tonguing Chapter 21: Percussion and Keyboard instruments 2111 Pitched percussion 2112 Unpitched percussion 2113 Keyboard instruments Chapter 22: Instruments in combination 22/1 Chamber-music groups 22/2 Orchestras 22/3 Bands Chapter 23: Before the tonal period Traditional modes Chapter 24: Some modern developments 24/1 The undermining of tonal harmony 24/2 Modem scales and modes 24/3 The twelve-note method 24/4 Rhythm 24/5 Notation Appendix C: Names of orchestral instruments in English, Italian, German, French Appendix D: Roman chord-indications Appendix E: Pitch specifications Appendix F: Clefs Index
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