000			02578nam a22001697a 4500
999			_c4405 _d4405
008			180320b xxu||||| |||| 00| 0 eng d
020			_a978-81-8435-397-6
082			_223 _a823.00992870954 _bIBR
100			_aIbrahim S M Yahiya
245			_aThe Gaze reverted : _bWomen looking at men / _cS M Yahiya Ibrahim.
250			_b2014.
260			_aNew Delhi. _bAdhyayan Publishers & Distributors; _c2014.
300			_a191 p . ; _bhardbound _c14x22cm
505			_a1. Male gaze reverted : Assessing the objectification of the male in media and literature 2. The gaze reverted: women looking at men 3. The disseminating and collating gazes amidst gendered interplay: Looking at the multi-gaze perspectives in fiction and its cinematic adaptation 4. The ways of seeing; challenging the stereotypes of masculinity 5. Anti-androcentric portrayal of male characters in Urdu fiction by women writers 6. A psychoanalytic study of two male characters of Qurratul Ain Haider's Jilawatan 7. Male characters in Anita Desai's major novels 8. Men in the minds of women: Dina Mehta's and some take a lover 9. Male characters in the novels of Kamala Markandaya 10. Men and their manners: Kamala Markandaya's Nectar in a Sieve and Anita Desai's in custody 11. Image of man in Arundhati Roy's the God of small things 12. Marriage, Marital violence and Indian masculinity: Exploring the short fiction of Shashi Deshpande 13. Re-configuring male sensibility: A study of Anita Desai's in custody 14. Men in God's own land: Three faces of the male in the God of small things 15. Chitra Banerjee Divakaruni : A case in distancing 16. Male characters of the God of small things. 17. Analysing the portrayal of men in Shashi Deshpande's that long silence. 18. Alienation, futility and disenchantment: The portrayal of male characters in Anita Desai's voices in the city 19. Portrayal of male in Anita Desai's fire on the mountain 20. Treatment of male Chauvinism and hypocrisy in the God of small things
520			_aIndian women novelists have been playing a significant role in the novelisation of the feminine psyche, especially their self-identifying and asserting-consciousness, often subjugated and manipulated by male-gendered patriarchy. The focus of this book in foregrounding the feminine sensibility and sensitivity at war with the hostility of a male-centered universe is a current one within the parlance of contemporary literary discourse. We live in an area of new knowledge-societies which are keenly aware of the reality of hegemony, exploitation and oppression.
942			_2ddc _cBK _01