000			01732mam a2200205 a 4500
999			_c1269 _d1269
008			010918r20011924enka b 001 0 eng d
020			_a0415254027 (pbk.) :
082			_223 _a801.95 _bRIC
100	1		_aRichards, I. A. _q(Ivor Armstrong), _d1893-1979.
245	1	0	_aPrinciples of literary criticism / _cI.A. Richards.
260			_aLondon ; _aNew York : _bRoutledge, _c2001.
300			_ax, 283 p. : _bill. ; _c20 cm.
490	1		_aRoutledge classics
500			_aOriginally published: London : Routledge & Kegan Paul, 1924.
505			_a1- The chaos of critical theories; 2- The Phantom Aesthetic State; 3- The language of criticism; 4- Communication and the artist; 5- The critic's concern with value; 6- Value as an ultimate idea; 7- A psychological theory of value; 8- Art and morals; 9- Actual and possible misapprehensions; 10- Poetry fore poetry's sake; 11- A sketch for a psychology; 12- Pleasure; 13- Emotion and the coenesthesia; 14- Memory; 15-Attitudes; 16- The analysis of a poem; 17- Rhythm and meter; 18- On looking at the picture; 19- Sculpture and the construction of form; 20- The impasse of musical theory; 21- The theory of communication; 22- The availability of the poet's experience; 23-Tolstoy's infection theory; 24- The normality of the artist; 25- Badness in poetry; 26- Judgement and divergent reading; 27- Levels of response and the width of appeal; 28- The allusiveness of modern poetry; 29- Permanence as a criterion; 30- The definition of a poem; 31- Art, play, and civilization; 32- The imagination; 33- Truth and revelation theories; 34- The two use of language; 35- Poetry and beliefs; Index.
650		0	_aCriticism.
830		0	_aRoutledge classics.
942			_2ddc _cBK _03