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Principles of literary criticism / I.A. Richards.

By: Material type: TextTextSeries: Routledge classicsPublication details: London ; New York : Routledge, 2001.Description: x, 283 p. : ill. ; 20 cmISBN:
  • 0415254027 (pbk.) :
Subject(s): DDC classification:
  • 23 801.95 RIC
Contents:
1- The chaos of critical theories; 2- The Phantom Aesthetic State; 3- The language of criticism; 4- Communication and the artist; 5- The critic's concern with value; 6- Value as an ultimate idea; 7- A psychological theory of value; 8- Art and morals; 9- Actual and possible misapprehensions; 10- Poetry fore poetry's sake; 11- A sketch for a psychology; 12- Pleasure; 13- Emotion and the coenesthesia; 14- Memory; 15-Attitudes; 16- The analysis of a poem; 17- Rhythm and meter; 18- On looking at the picture; 19- Sculpture and the construction of form; 20- The impasse of musical theory; 21- The theory of communication; 22- The availability of the poet's experience; 23-Tolstoy's infection theory; 24- The normality of the artist; 25- Badness in poetry; 26- Judgement and divergent reading; 27- Levels of response and the width of appeal; 28- The allusiveness of modern poetry; 29- Permanence as a criterion; 30- The definition of a poem; 31- Art, play, and civilization; 32- The imagination; 33- Truth and revelation theories; 34- The two use of language; 35- Poetry and beliefs; Index.
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Item type Current library Collection Call number Status Date due Barcode
Books Books Tetso College Library English Literature Non-fiction 801.95 RIC (Browse shelf(Opens below)) Available 1213
Books Books Tetso College Library English Literature Non-fiction 801.95 RIC (Browse shelf(Opens below)) Available 1214

Originally published: London : Routledge & Kegan Paul, 1924.

1- The chaos of critical theories;
2- The Phantom Aesthetic State;
3- The language of criticism;
4- Communication and the artist;
5- The critic's concern with value;
6- Value as an ultimate idea;
7- A psychological theory of value;
8- Art and morals;
9- Actual and possible misapprehensions;
10- Poetry fore poetry's sake;
11- A sketch for a psychology;
12- Pleasure;
13- Emotion and the coenesthesia;
14- Memory;
15-Attitudes;
16- The analysis of a poem;
17- Rhythm and meter;
18- On looking at the picture;
19- Sculpture and the construction of form;
20- The impasse of musical theory;
21- The theory of communication;
22- The availability of the poet's experience;
23-Tolstoy's infection theory;
24- The normality of the artist;
25- Badness in poetry;
26- Judgement and divergent reading;
27- Levels of response and the width of appeal;
28- The allusiveness of modern poetry;
29- Permanence as a criterion;
30- The definition of a poem;
31- Art, play, and civilization;
32- The imagination;
33- Truth and revelation theories;
34- The two use of language;
35- Poetry and beliefs;
Index.

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