| FORMATTED CONTENTS NOTE |
ILLUMINATED WORKS<br/>All Religions Are One (1788)<br/>There Is No Natural Religion (1788)<br/>Songs of Innocence and of Experience (1789-94)<br/>Songs of Innocence (1789)<br/>Introduction<br/>The Shepherd<br/>The Ecchoing Green<br/>The Lamb<br/>The Little Black Boy<br/>The Blossom<br/>The Chimney Sweeper<br/>The Little Boy Lost<br/>The Little Boy Found<br/>Laughing Song<br/>A Cradle Song<br/>The Divine Image<br/>Holy Thursday<br/>Night<br/>Spring<br/>Nurse's Song<br/>Infant Joy<br/>A Dream<br/>On Another's Sorrow<br/>Songs of Experience (1793)<br/>Introduction<br/>Earth's Answer<br/>The Clod & the Pebble<br/>Holy Thursday<br/>The Little Girl Lost<br/>The Little Girl Found<br/>The Chimney Sweeper<br/>Nurse's Song<br/>The Sick Rose<br/>The Fly<br/>The Angel<br/>The Tyger<br/>My Pretty Rose Tree<br/>Ah! Sun-Flower<br/>The Lilly<br/>The Garden of Love<br/>The Little Vagabond<br/>London<br/>The Human Abstract<br/>Infant Sorrow<br/>A Poison Tree<br/>A Little Boy Lost<br/>A Little Girl Lost<br/>To Tirzah<br/>The School-Boy<br/>The Voice of the Ancient Bard<br/>A Divine Image<br/>The Book of Thel (1789)<br/>Visions of the Daughters of Albion (1793)<br/>The Marriage of Heaven and Hell (1790)<br/>America (1793)<br/>Europe (1794)<br/>The Song of Los (1794)<br/>Africa<br/>Asia<br/>The Book of Urizen (1794)<br/>The Book of Ahania (1794)<br/>The Book of Los (1794)<br/>Milton (1804; c. 1810-18)<br/>Jerusalem (1804; c. 1820)<br/>For the Sexes: The Gates of Paradise (1820)<br/>"Mutual Forgiveness of each Vice"<br/>The Keys of the Gates<br/>To the Accuser who is The God of This World<br/>The Ghost of Abel (1822)<br/>On Homer's Poetry / On Virgil (1822)<br/>Yah & His Two Sons Satan & Adam [The Laocoön] (1826)<br/>OTHER WRITINGS<br/>From Poetical Sketches (1783)<br/>To Spring<br/>To Summer<br/>To Autumn<br/>To Winter<br/>To the Evening Star<br/>Song ("How sweet I roam'd from field to field")<br/>Song ("Love and harmony combine")<br/>Mad Song<br/>To the Muses<br/>[An Island in the Moon] (1785)<br/>To the Public [Prospectus] (1793)<br/>From The Notebook (1787-1818)<br/>London (drafts c. 1792)<br/>The Tyger (drafts c. 1792)<br/>Infant Sorrow (drafts, date uncertain)<br/>Motto to the Songs of Innocence & of Experience<br/>A cradle song<br/>"I heard an Angel singing"<br/>An ancient Proverb<br/>"Why should I care for the men of thames"<br/>How to know Love From Deceit<br/>"O lapwing thou fliest around the heath"<br/>"Thou hast a lap full of seed"<br/>"The sword sung on the barren heath"<br/>"If you trap the moment before its ripe"<br/>Eternity<br/>"The Angel that presided oer my birth"<br/>Morning<br/>"Great things are done when Men & Mountains meet"<br/>An answer to the parson<br/>To God<br/>To Nobodaddy<br/>"Let the Brothels of Paris be opened"<br/>"When Klopstock England defied"<br/>"The Hebrew Nation did not write it"<br/>"If it is True What the Prophets write"<br/>"I saw a chapel all of gold"<br/>Merlins prophecy<br/>Soft Snow<br/>"Abstinence sows sand all over"<br/>"What is it men in women do require"<br/>"In a wife I would desire"<br/>"When a Man has Married a Wife"<br/>"A Woman Scaly & a Man all Hairy"<br/>"Her whole Life is an Epigram"<br/>"An old maid early eer I knew"<br/>The Fairy<br/>"Never pain to tell thy love"<br/>"I asked a thief to steal me a peach"<br/>My Spectre around me night & day"<br/>[Related stanzas]<br/>"You don't believe I wont attempt to make ye"<br/>"Mock on Mock on Voltaire Rousseau"<br/>"The only Man that eer I knew"<br/>"The Caverns of the Grave Ive seen"<br/>Riches<br/>"Since all the Riches of this World"<br/>"I rose up in the dawn of day"<br/>Blakes apology for his Catalogue<br/>[The "Auguries" (Pickering) Manuscript] (c. 1805)<br/>The Smile<br/>The Golden Net<br/>The Mental Traveller<br/>The Land of Dreams<br/>Mary<br/>The Crystal Cabinet<br/>The Gray Monk<br/>Auguries of Innocence<br/>Long John Brown & Little Mary Bell<br/>William Bond<br/>From Vala / The Four Zoas (c. 1797-1805)<br/>From Exhibition of Paintings in Fresco [Advertisement] (1809)<br/>"In the last Battle that Arthur fought . . . "<br/>The Invention of a Portable Fresco<br/>From A Descriptive Catalogue (1809)<br/>From [A Vision of the Last Judgment] (1810)<br/>From [A Public Address to the Chalcographic Society] (1809-10)<br/>[The Everlasting Gospel] (c. 1818)<br/>From The Marginalia (1789-1827)<br/>From On Lavater, Aphorisms on Man (1788)<br/>From On Swedenborg, Wisdom of Angels (1788)<br/>From On Watson, Apology for the Bible (1797)<br/>From On Bacon, Essays (1798)<br/>From On Dante, Inferno (1785; notes c. 1800)<br/>From On Reynolds, Works (1798; notes c. 1800-9)<br/>From On Spurzheim, Observations on . . . Insanity (1817)<br/>From On Wordsworth, The Excursion (1814; notes 1826)<br/>From On Wordsworth, Poems (1814; notes 1826)<br/>From On Thornton, Lord's Prayer (1827)<br/>From The Letters<br/>To Trusler, 23 August 1799<br/>From To Cumberland, 2 July 1800<br/>From To Cumberland, 1 September 1800<br/>"Dear Generous Cumberland . . . "<br/>To Flaxman, 12 September 1800<br/>"I bless thee O Father of Heaven & Earth . . ."<br/>From To Flaxman, 21 September 1800<br/>From To Butts, 2 October 1800<br/>"To my Friend Butts I write . . ."<br/>From To Butts, 22 November 1800<br/>From To Butts, 22 November 1800 [second letter]<br/>"With happiness stretchd across the hills . . . "<br/>From To Butts, 10 January 180[3]<br/>From To James Blake, 30 January 1803<br/>From To Butts, 25 April 1803<br/>From To Butts, 6 July 1803<br/>From To Butts, 16 August 1803<br/>"O why was I born with a different face . . ."<br/>[Blake's Memorandum, August 1803]<br/>From To Hayley, 7 October 1803<br/>From To Hayley, 23 October 1804<br/>From To Hayley, 11 December 1805<br/>To Turner, 9 June 1818<br/>To Cumberland, 12 April 1827<br/>Criticism<br/>Comments by Contemporaries<br/>Robert Hunt - From Mr Blake's Exhibition (1809)<br/>Samuel Taylor Coleridge - Blake's Poems, Letter to C. A. Tulk [1818]<br/>John Thomas Smith - From Nollekens and his Times (1828)<br/>Frederick Tatham - From Life of Blake (?1832)<br/>Henry Crabb Robinson - From Reminiscences (1853)<br/>Samuel Palmer - Letter to Alexander Gilchrist (1855)<br/>Twentieth and Twenty-first Century Perspectives<br/>Allen Ginsberg – [My Vision of Blake] (1966)<br/>Northrop Frye – Blake's Treatment of the Archetype (1951)<br/>W. J. T. Mitchell – Dangerous Blake (1982)<br/>Joseph Viscomi – [Blake's Relief Etching Process: A Simplifed Account] (1983)<br/>Stephen C. Behrendt – [The ‘Third Text' of Blake's Illuminated Books] (1999)<br/>Martin K. Nurmi – [On The Marriage of Heaven and Hell] (1957)<br/>Alicia Ostriker – Desire Gratified and Ungratified (1982)<br/>Nelson Hilton – Some Polysemous Words in Blake (1983)<br/>Jon Mee – [Blake the Bricoleur] (1992)<br/>Saree Makdisi – Fierce Rushing: William Blake and the Cultural Politics of the 1790s (2003)<br/>Julia Wright – "How Different the World to Them": Revolutionary Heterogeneity and Alienation (2004)<br/>Morris Eaves – The Title-page of The Book of Urizen (1973)<br/>Harold Bloom – [On the Theodicy of Blake's Milton] (1963)<br/>Vincent Arthur De Luca – A Wall of Words: The Sublime as Text (1986)<br/>Maps<br/>Blake's Britain<br/>Blake's Holy Land<br/>Blake's London<br/>Textual Technicalities<br/>William Blake: A Chronology<br/>Bibliography, with Index of Scholars and Critics<br/>Index of Titles and First Lines |