Coleridge's principles of criticism: Chapters I.,III., IV.,XIV.-XXII of biographia Literaria / (Record no. 5115)

MARC details
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fixed length control field 02956nam a22001577a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781406781939
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 23
Classification number 820.9
Item number COL
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Coleridge Samuel Taylor
245 ## - TITLE STATEMENT
Title Coleridge's principles of criticism: Chapters I.,III., IV.,XIV.-XXII of biographia Literaria /
Statement of responsibility, etc. Samuel Taylor Coleridge.
250 ## - EDITION STATEMENT
Remainder of edition statement 1895.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. New York.
Name of publisher, distributor, etc. D.C. heath & co. publishers;
Date of publication, distribution, etc. 1895.
300 ## - PHYSICAL DESCRIPTION
Extent 226 p . ;
Other physical details softbound
Dimensions 14x22cm
505 ## - FORMATTED CONTENTS NOTE
FORMATTED CONTENTS NOTE Chapter I<br/>The motives of the present work - Reception of the Author's first publication- Discipline of his taste at school - The effect of contemporary writers upon youthful minds - Bowles's Sonnets - comparison of the poets before and since Pope<br/>Chapter II<br/>The Author's obligation to critics, and the probable occasion - principles of modern criticism - Mr. Southey's works and character<br/>Chapter III<br/>The lyrical Ballads, with the preface - Mr. Wordsworth's earlier poems - on fancy and imagination - the investigation of the distinction important to the fine arts<br/>Chapter IV<br/>Occasion of the Lyrical Ballads, and the objects originally proposed - preface to the second edition - The ensuring controversy, its causes and Acrimony - Philosophic definitions of a poem and poetry, with scholia<br/>Chapter V<br/>The specific symptoms of poetic power elucidated in a critical analysis of Shakespeare's Venus and Adonis and rape of Lucrece <br/>Chapter VI<br/>Striking points of difference between the poets of the present age and those of the fifteenth and sixteenth centuries - wish expressed for the union of the characteristic merits of both<br/>Chapter VII<br/>Examination of the tenets peculiar to Mr. Wordsworth - Rustic life especially unfavourable to the formation of a Human diction - The best parts of language the products of philosophers, not of clowns or shepherds - poetry essentially ideal and generic - The language of Milton as much the language of real life, yea, incomparably more so, than that of the cottager<br/>Chapter VIII<br/>Language of metrical composition, why and wherein essentially different from that of prose - origin ad elements of metre - its necessary consequences, and the conditions thereby imposed on the metrical writer in the choice of his diction<br/>Chapter IX<br/>Continuation - concerning the real object which it is probable Mr. Wordsworth had before him in his critical preface - Elucidation and application of this<br/>Chapter X<br/>The former subject continued - The Neutral style, or that common to prose and poetry, exemplifies by specimens from Chaucer, Herbert and others<br/>Chapter XI<br/>Remarks on the present mode of conducting critical journals<br/>Chapter XII<br/>The characteristic defects of Mr. Wordsworth's poetry, with the principles from which the judgement that they are defects is deduced - Their proportion to the beauties - for the greatest part characteristic of his theory only<br/>Chronological <br/>Notes<br/>References
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    Dewey Decimal Classification     Non-fiction Tetso College Library Tetso College Library English Literature 21/09/2018   820.9 COL 8591 21/09/2018 21/09/2018 Books

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