The Birth of the Museum: (Record no. 3325)
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000 -LEADER | |
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fixed length control field | 02307nam a22001577a 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 170206b xxu||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 0415053889 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Edition number | 23 |
Classification number | 069 |
Item number | BEN |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Benny, Tony. |
245 ## - TITLE STATEMENT | |
Title | The Birth of the Museum: |
Remainder of title | History, theory, politics / |
Statement of responsibility, etc. | Tony Bennett |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | New York: |
Name of publisher, distributor, etc. | Routledge, |
Date of publication, distribution, etc. | 1995. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | x; 278 p. |
Other physical details | Soft-Bound, |
Dimensions | 24 cm. |
505 ## - FORMATTED CONTENTS NOTE | |
FORMATTED CONTENTS NOTE | Part-1: History and theory;<br/>Chapter-1: The formation of the Museum;<br/>Chapter-2: The exhibitionary complex;<br/>Chapter-3: The political rationality of the Museum;<br/>Part-2: Policies and politics;<br/>Chapter-4: Museums and 'the people';<br/>Chapter-5: Out of which past?<br/>Chapter-6: Art and theory: the politics of the invisible;<br/>Part-3: Technologies of progress;<br/>Chapter-7: Museum and progress: Narrative, ideology, performance;<br/>Chapter-8: The shaping of things to come: Expo '88;<br/>Chapter-9: A thousand and one troubles: Blackpool pleasure beach;<br/><br/> |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Tony Bennett's invigorating study enriches and challenges our understanding of the Museum, placing it at the centre of modern relations of culture and government.<br/>Bennett argues that the public museum should be understood not just as a place of instruction but as a reformatory of manners in which a wide range of regulated social routines and performance takes place. discussing the historical development of museums alongside that of the fair and the international exhibition, he sheds new light upon the relationship between modern forms of official and popular culture;<br/>In a series of richly detailed case studies from Britain, Australia and North America, Bennett investigates how nineteenth-and twentieth-century museums, fairs and exhibitions have organised their collections, and their visitors. His use of foucaultian perspectives and his consideration of museums in relation to other cultural institutions of display provides a distinctive perspective on contemporary museum policies and politics.<br/>Tony Bennett is professor of cultural studies and foundation director of the institute for cultural policy studies in the faculty of humanities at Griffith university, Australia. He is the author of formalism and marxism, outside literature and (with Janet Woolacott) Bond and Beyond: The political career of a popular hero. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | Dewey Decimal Classification |
Koha item type | Reference |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Dewey Decimal Classification | Non-fiction | Tetso College Library | Tetso College Library | Reference | 06/02/2017 | 069 BEN | 5622 | 23/02/2017 | 06/02/2017 | Reference |